F7 on the staff and the piano
On the treble clef, F7 sits on the seventh ledger line above the staff.
Notes this far above the staff are usually printed an octave lower with an 8va sign, so players do not have to count 7 ledger lines.
On the piano, F7 is key 81 of 88, octave 7 - a white key. It is 41 semitones above middle C (C4, key 40).
Play it on the online piano, or see all 88 note frequencies on one page.
F7 at a glance
All values assume twelve-tone equal temperament at the international standard pitch of A4 = 440 Hz. In that system every semitone has the same size - a frequency ratio of 2^(1/12) - so F7 is exactly 440 × 2^(32/12) Hz. Under alternative references the note shifts with the reference: at A4 = 432 Hz, F7 becomes 2743.0 Hz.
F in every octave
| Note | Frequency | MIDI | Piano key |
|---|---|---|---|
| F1 | 43.65 Hz | 29 | 9 |
| F2 | 87.31 Hz | 41 | 21 |
| F3 | 174.61 Hz | 53 | 33 |
| F4 | 349.23 Hz | 65 | 45 |
| F5 | 698.46 Hz | 77 | 57 |
| F6 | 1396.9 Hz | 89 | 69 |
| F7 ← | 2793.8 Hz | 101 | 81 |
Each octave doubles the frequency - the simplest relationship in music, and the reason notes an octave apart sound like “the same note, higher”.
Who plays F7
F7 is within the usual range of the piano and violin. It is outside the usual range of all the classical voice types listed here.
- Piano: A0–C8
- Violin: G3–A7
None of the usual voice ranges
Ranges are approximate: they are the commonly cited sounding (concert) pitches, and real ranges vary by player, instrument, tuning and repertoire. Guitar, bass guitar and double bass are written an octave higher than they sound; B♭ clarinet and trumpet are written a whole tone higher.
Neighboring notes
One semitone down is E7 at 2637.0 Hz; one semitone up is F♯7 at 2960.0 Hz. Need a frequency between notes, or a different waveform? The tone generator plays anything from 20 Hz to 20 kHz; the note ↔ frequency converter does the math both directions, and the chromatic tuner listens to your instrument and shows the offset in cents.