A comprehensive reference guide to audio frequencies and their applications. This frequency chart covers the entire audible spectrum from 20 Hz to 20,000 Hz, including musical notes, instrument ranges, and common test frequencies used in audio engineering.
The Audible Frequency Spectrum
The human ear can typically hear frequencies between 20 Hz and 20,000 Hz (20 kHz). This range decreases with age, with most adults losing the ability to hear frequencies above 15-16 kHz.
Sub-Bass
20-60 Hz
Felt more than heard, provides power and depth
Bass
60-250 Hz
Foundation of music, rhythm section
Low Midrange
250-500 Hz
Warmth and body of instruments
Midrange
500-2,000 Hz
Vocal presence, instrument definition
Upper Midrange
2-4 kHz
Clarity and articulation
Presence
4-6 kHz
Definition and intelligibility
Brilliance
6-20 kHz
Air, sparkle, and detail
Musical Note Frequencies (A440 Standard)
Octave 4 (Middle Octave)
Note: A4 = 440 Hz is the international standard tuning reference
Common Audio Test Frequencies
20 Hz
Lower limit of human hearing, subwoofer test
40 Hz
Bass extension test, kick drum fundamental
100 Hz
Bass response test, room mode identification
1,000 Hz (1 kHz)
Standard reference tone for audio testing and calibration
3,000 Hz (3 kHz)
Vocal presence range, intelligibility test
10,000 Hz (10 kHz)
High frequency response test, treble extension
15,000 Hz (15 kHz)
Upper hearing range test (age-dependent)
Instrument Frequency Ranges
Bass Guitar
Fundamental: 41-392 Hz
E1 (41 Hz) to G4 (392 Hz)
Electric Guitar
Fundamental: 82-1,319 Hz
E2 (82 Hz) to E6 (1,319 Hz)
Piano
Full range: 27.5-4,186 Hz
A0 (27.5 Hz) to C8 (4,186 Hz)
Kick Drum
Fundamental: 60-100 Hz
Attack: 2-5 kHz
Snare Drum
Fundamental: 150-250 Hz
Snap: 3-5 kHz
Male Vocals
Fundamental: 100-900 Hz
Presence: 2-5 kHz
Female Vocals
Fundamental: 200-1,100 Hz
Presence: 3-6 kHz
Cymbals
Fundamental: 300-600 Hz
Shimmer: 7-15 kHz
Frequently Asked Questions
Understanding the different waveforms used in audio testing is essential for getting accurate and useful results. This guide explains the characteristics and applications of sine, square, sawtooth, and triangle waves.
The Four Basic Waveforms
Each waveform has unique characteristics that make it suitable for specific audio testing scenarios:
Sine Wave
The purest form of sound, containing only a single frequency with no harmonics. Produces a smooth, pure tone ideal for frequency response testing.
Square Wave
Contains the fundamental frequency plus odd harmonics that decrease in amplitude. Creates a buzzy, hollow sound.
Sawtooth Wave
Contains the fundamental frequency plus both odd and even harmonics. Produces a bright, harsh sound rich in harmonics.
Triangle Wave
Contains the fundamental frequency plus odd harmonics that decrease more rapidly than in a square wave. Sounds softer than a square wave.
The Science Behind Waveforms
Harmonics and Fourier Analysis
According to Fourier's theorem, any periodic waveform can be broken down into a sum of sine waves at different frequencies. These component frequencies include:
- Fundamental frequency: The base frequency that determines the pitch we perceive
- Harmonics: Integer multiples of the fundamental frequency that give the sound its timbre
The harmonic content of each waveform can be visualized through a frequency spectrum:
| Waveform | Harmonic Content | Mathematical Description |
|---|---|---|
| Sine | Fundamental only | y = sin(2πft) |
| Square | Odd harmonics (1, 3, 5, 7...) decreasing as 1/n | y = sign(sin(2πft)) |
| Sawtooth | All harmonics (1, 2, 3, 4...) decreasing as 1/n | y = 2(t/T - floor(t/T + 1/2)) |
| Triangle | Odd harmonics (1, 3, 5, 7...) decreasing as 1/n² | y = 2|2(t/T - floor(t/T + 1/2))| - 1 |
Choosing the Right Waveform for Audio Testing
Sine Waves: Precision Testing
Sine waves are ideal for:
- Frequency response measurement: Since they contain only one frequency, they provide the cleanest test of how a system responds to a specific frequency
- Distortion testing: Any additional frequencies that appear in the output are clearly distortion products
- Instrument tuning: The pure tone makes pitch matching easier
- Hearing tests: Audiologists use sine waves to test hearing at specific frequencies
Pro Tip: Using Sine Waves
When testing with sine waves, start at a moderate volume and sweep slowly through frequencies. Watch for resonances (where the volume suddenly increases) and nulls (where the sound nearly disappears). These indicate room modes or speaker/system irregularities.
Square Waves: Transient Response Testing
Square waves are excellent for:
- Transient response testing: The instantaneous transitions from high to low test how quickly a system can respond to sudden changes
- Amplifier testing: Reveals an amplifier's ability to reproduce sharp edges without rounding
- Speaker testing: Helps identify phase issues between drivers
- Digital system testing: Useful for testing clock accuracy and jitter
Pro Tip: Using Square Waves
When viewing square waves on an oscilloscope, look for ringing (oscillations after transitions) and slew rate limitations (sloped rather than vertical transitions). These indicate bandwidth limitations or resonance issues in the system.
Sawtooth Waves: Harmonic Content Testing
Sawtooth waves are valuable for:
- Harmonic distortion analysis: The rich harmonic content makes it easier to see which harmonics are affected by distortion
- Filter testing: Excellent for testing how filters affect different harmonics
- Amplifier linearity testing: Reveals non-linear behavior across the frequency spectrum
- Synthesizer calibration: Used to calibrate analog synthesizers
Triangle Waves: Linearity Testing
Triangle waves are useful for:
- Linearity testing: The constant slope reveals non-linearities in amplification
- Crossover testing: Good for testing speaker crossover networks
- Distortion analysis: Easier to visually identify certain types of distortion compared to sine waves
- Gentler testing: Less harsh on speakers than square waves while still containing harmonics
Practical Applications in Audio Testing
Speaker and Headphone Testing
Different waveforms reveal different aspects of speaker performance:
- Sine waves: Use for frequency response testing and identifying resonances
- Square waves: Use for testing transient response and phase alignment between drivers
- Sawtooth waves: Use for testing harmonic reproduction and intermodulation distortion
- Triangle waves: Use for testing linearity and crossover performance
Audio Interface and DAC Testing
Digital-to-analog converters can be tested using:
- Sine waves: For measuring signal-to-noise ratio and frequency response
- Square waves: For revealing jitter and timing issues
- Full-scale sine waves: For testing clipping behavior and headroom
Room Acoustics Analysis
Sine wave sweeps are particularly useful for:
- Identifying room modes and resonances
- Measuring reverberation time at different frequencies
- Testing the effectiveness of acoustic treatments
Frequently Asked Questions
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